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قادر على الاحتفاظ بانطباعات حية - перевод на Английский
1954 FILM
Athar Fel Rimal; Athar Fil Remal; أثار في الرمال; Athar 'ala Al Rimal; أثار على الرمال; Athar Fi al-Rimal
قادر على الاحتفاظ بانطباعات حية
photographic
photographic
adj. تصويري, فوتوغرافي, ممثل البشر, قادر على الاحتفاظ بانطباعات حية
photographic
 00232 Old Town Art Fair Chicago 1968 (23705070328).jpg?width=200)
![capture reality]] and to produce a [[work of art]]. While [[photo manipulation]] was often frowned upon at first, it was eventually used to great extent to produce artistic effects. ''Nude composition 19'' from 1988 by [[Jaan Künnap]].](https://commons.wikimedia.org/wiki/Special:FilePath/Aktikompositsioon 19 (J. Künnap).jpg?width=200 "capture reality]] and to produce a [[work of art]]. While [[photo manipulation]] was often frowned upon at first, it was eventually used to great extent to produce artistic effects. ''Nude composition 19'' from 1988 by [[Jaan Künnap]].")
![Classic [[Alfred Stieglitz]] photograph, ''[[The Steerage]]'' shows unique aesthetic of black-and-white photos.](https://commons.wikimedia.org/wiki/Special:FilePath/Alfred Stieglitz - The Steerage - Google Art Project.jpg?width=200 "Classic [[Alfred Stieglitz]] photograph, ''[[The Steerage]]'' shows unique aesthetic of black-and-white photos.")
![''[[View of the Boulevard du Temple]]'', a [[daguerreotype]] made by [[Louis Daguerre]] in 1838, is generally accepted as the earliest photograph to include people. It is a view of a busy street, but because the exposure lasted for several minutes the moving traffic left no trace. Only the two men near the bottom left corner, one of them apparently having his boots polished by the other, remained in one place long enough to be visible.](https://commons.wikimedia.org/wiki/Special:FilePath/Boulevard du Temple by Daguerre.jpg?width=200 "''[[View of the Boulevard du Temple]]'', a [[daguerreotype]] made by [[Louis Daguerre]] in 1838, is generally accepted as the earliest photograph to include people. It is a view of a busy street, but because the exposure lasted for several minutes the moving traffic left no trace. Only the two men near the bottom left corner, one of them apparently having his boots polished by the other, remained in one place long enough to be visible.")
![Color photography was possible long before [[Kodachrome]], as this 1903 portrait by [[Sarah Angelina Acland]] demonstrates, but in its earliest years, the need for special equipment, long exposures, and complicated printing processes made it extremely rare.](https://commons.wikimedia.org/wiki/Special:FilePath/Colonel William Willoughby Verner, Sanger Shepherd process, by Sarah Acland 1903.png?width=200 "Color photography was possible long before [[Kodachrome]], as this 1903 portrait by [[Sarah Angelina Acland]] demonstrates, but in its earliest years, the need for special equipment, long exposures, and complicated printing processes made it extremely rare.")
![A photographic [[darkroom]] with [[safelight]]](https://commons.wikimedia.org/wiki/Special:FilePath/Dark room.jpg?width=200 "A photographic [[darkroom]] with [[safelight]]")
![Kodak DCS 100, based on a [[Nikon F3]] body with Digital Storage Unit](https://commons.wikimedia.org/wiki/Special:FilePath/Early digital!.jpg?width=200 "Kodak DCS 100, based on a [[Nikon F3]] body with Digital Storage Unit")
![[[Josef H. Neumann]]: ''Gustav I'' (1976)](https://commons.wikimedia.org/wiki/Special:FilePath/Josef H Neumann- Gustav I (1976).jpg?width=200 "[[Josef H. Neumann]]: ''Gustav I'' (1976)")
![A latticed window in [[Lacock Abbey]], [[England]], photographed by [[William Fox Talbot]] in 1835. Shown here in positive form, this may be the oldest extant photographic negative made in a camera.](https://commons.wikimedia.org/wiki/Special:FilePath/Latticed window at lacock abbey 1835.jpg?width=200 "A latticed window in [[Lacock Abbey]], [[England]], photographed by [[William Fox Talbot]] in 1835. Shown here in positive form, this may be the oldest extant photographic negative made in a camera.")
![The [[Musée de l'Élysée]], founded in 1985 in [[Lausanne]], was the first photography museum in Europe.](https://commons.wikimedia.org/wiki/Special:FilePath/Musée de l'Elysée 3.jpg?width=200 "The [[Musée de l'Élysée]], founded in 1985 in [[Lausanne]], was the first photography museum in Europe.")
![edited]] by adding colors to clarify structure or to add an aesthetic effect. Heiti Paves from [[Tallinn University of Technology]].](https://commons.wikimedia.org/wiki/Special:FilePath/Müürlooga (Arabidopsis thaliana) lehekarv (trihhoom) 311 0804.JPG?width=200 "edited]] by adding colors to clarify structure or to add an aesthetic effect. Heiti Paves from [[Tallinn University of Technology]].")
![astronomy]]](https://commons.wikimedia.org/wiki/Special:FilePath/Saturn's Rings in Ultraviolet Light.png?width=200 "astronomy]]")
![Thomas Sutton]]. The subject is a colored, [[tartan]] patterned ribbon.](https://commons.wikimedia.org/wiki/Special:FilePath/Tartan Ribbon.jpg?width=200 "Thomas Sutton]]. The subject is a colored, [[tartan]] patterned ribbon.")
![[[Wootton bridge collapse]] in 1861](https://commons.wikimedia.org/wiki/Special:FilePath/Wootton bridge.jpg?width=200 "[[Wootton bridge collapse]] in 1861")
ART, SCIENCE, AND PRACTICE OF CREATING DURABLE IMAGES BY RECORDING LIGHT OR OTHER ELECTROMAGNETIC RADIATION
Fotografy; Photographic; Yachting photography; Technology of Photography; Photography, History of; Art Photography; Photo picture; Commercial photography; Commercial Photography; Photography business; Early photography; Photographing; PhotoSIG; Photosig; Print finishing; Photographics; Photo's; Amateur photography; Pet photography; Pet Photography; Photography techniques; Photographic technique; Commercial photographer; Artistic photo; Photographic techniques; Carbonette technique; Photographic layering
ADJ
ضوئى ، فوتوغرافى ممثل الطبيعة او البشر بمثل دقة الصورة الفوتوغرافية قادر على الاحتفاظ بانطباعات حية
ضوئى ، فوتوغرافى ممثل الطبيعة او البشر بمثل دقة الصورة الفوتوغرافية قادر على الاحتفاظ بانطباعات حية
Википедия
Traces in the Sand
Athar Fi al-Rimal (Arabic: أثار في الرمال, Traces in the Sand) is a 1954 Egyptian drama film directed by Gamal Madkoor. It starred Imad Hamdi and Faten Hamama.
Faten Hamama plays Ragia, a woman who helps Ibrahim (Imad Hamdi) retain his memory and tell the story of his sister's death.
